SmulSkulz 3 expands the SmulSkulz collection’s narrative, reflecting on impermanence, transformation, and the interplay between digital and physical artistry. Like its predecessors, it pairs a handcrafted mosaic with a dynamic digital animation, offering a singular perspective on art’s evolving materiality.


Physical Mosaic

  • Materials: Crafted from 3,204 semi-transparent acrylic tiles, the mosaic mimics the structure of pixels while evoking the charm of early 8-bit computer graphics.

  • Dimensions: Measuring 4.5 x 6.5 inches, the piece is mounted on an acid-free backing board (8.5 x 11 inches) and signed by the artist for authenticity.

  • Uniqueness: SmulSkulz 3 captures a pivotal frame from its paired animation, frozen in time before digital decay begins. This pristine moment is transformed into a tactile, enduring artifact.

Digital Animation

  • Description: The animation unfolds over 90 seconds, employing glitch techniques to simulate the progressive decay of digital data. Hand-drawn 'boiled' linework adds a human element, enriching the narrative of impermanence.

  • Exclusivity: The full-resolution (2000 x 2000), unwatermarked animation is exclusive to the NFT owner. A shorter, watermarked preview is available for public viewing.


Availability

  • Release Date: SmulSkulz 3 will be available during Wave 1 of the collection launch on February 25, 2025.

  • Reservation: Interested collectors can reserve SmulSkulz 3 prior to its release by contacting the artist. Reservations are limited and handled on a first-come, first-served basis.

Ownership Includes

  • The signed physical mosaic, ready for display.

  • The NFT containing the full-length animation, secured on the Ethereum blockchain.

  • Exclusive access to the unwatermarked digital file post-purchase.


SmulSkulz 3 bridges the digital and physical worlds, inviting collectors to explore the duality of transience and permanence. With its intricate mosaic and gnarly animation, it stands as a testament to the beauty of transformation and decay.

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